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What were the biggest challenges and rewards of creating All Kids Go to Hell solo?ĬB: The biggest challenge was doing all the visual work by myself! We had 20 weeks to go from initial pitch to final film.
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There’s a scene where we see a ton of celebrities in Hell that Harmony and Storyboard Pro made it easy to pull off. Using the camera and some of Harmony’s built-in effects helped on a few shots. This was the first film I had done exclusively in that process and now it is my pipeline. It’s really amazing how seamless Storyboard Pro and Harmony work together.
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The story went through many iterations and having a software that allowed me to see my short played out was huge I was able to make revisions on the go. Were there any features in Storyboard Pro and Harmony that helped production of All Kids Go to Hell ?ĬB: Using Storyboard Pro to board the film helped a ton in organizing the layout and editing. It’s been a continual process of refining already learned skills while also trying to stay on top of new features. When I got to high school, I taught myself Harmony in a similar fashion - utilizing the documentation, forums and any tutorials I could find. Speaking of amazing, your film looked great! Where did you learn to animate in Harmony?ĬB: Toon Boom Animate was the first animation software I learned! I used the documentation guide to teach myself that.
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Doing Q&As, meeting other filmmakers and having the experience of seeing your film play are invaluable, plus it’s amazing networking. Introduce yourself, tell them about your film, ask about waiver codes and discounts, and be super polite! Also, try to submit to festivals you can actually go to. There are people behind those addresses who more-often-than-not are as jazzed about animation as you are. ĭo you have any other tips for other young animators hoping to do the same?ĬB: If you’re making a film that you want people to see, you have to be mindful of their expectations and points-of-view, especially because there’s an insane amount of highly specific film festivals! Also, don’t be afraid to email those who work for festivals. As I’ve gone through the process, I’ve discovered the most important thing when submitting to a festival is knowing the history and audience of that festival! Introvert found success because I think it has a really good niche audience and I developed and expanded that audience with All Kids Go to Hell.
It’s something I learned to budget for when making a film. You essentially make a film profile film and can submit to various festivals on a database.īefore 2016, I was submitting to festivals but not having a ton of success. In 2016, I produced a short film, Introvert, that didn’t win many awards but was shown at marketplace festivals and was picked up to air on AspireTV’s ABFF Independent series, which was insane! The process is really simple: I use FilmFreeway and Withoutabox for festival submissions. Hi Chaz! How did you get All Kids Go to Hell into so many festivals?ĬB: All Kids Go to Hell actually isn’t the first successful festival run I’ve had. We caught up with Bottoms after the event to learn more about getting All Kids Go to Hell successfully on the festival circuit, why the devil is in the details making a short and his favourite parts of using Storyboard Pro and Harmony.
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Having moved to Los Angeles in the past year, he also had the opportunity to further and future-proof his skills at the free Toon Boom Animation Career Camp. Now that it has completed the festival circuit, All Kids Go to Hell has been made available for public viewing. Naturally, with such a hellish timeline and divine results, his talent was brought to life using the tools in Toon Boom Storyboard Pro and Toon Boom Harmony. It follows two orphaned siblings who use a ouija board to ask the Devil to adopt them and was entirely animated, designed and edited by Bottoms over the course of four months. The film would go on to be screened across the United States, in Italy and at the 2018 Cannes Festival Corner - successfully bridging the gap between academic and audience acclaim.Īll Kids Go to Hell won Best Student Short at the 2017 Las Vegas Black Film Festival and was a finalist at the 2018 The Animation Studio Festival and 2017 Chicago South Side Film Festival. His senior thesis project, a seven-minute short titled All Kids Go to Hell, was just beginning its international journey. A year ago, Chaz Bottoms was graduating from DePaul University’s BA in animation.
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